david bromwich造句

• As noted by David Bromwich, Coleridge found reasons to apologise for society as it was.
• Hazlitt's essay on " Hamlet " was later used by David Bromwich in an extensive comparison of Coleridge's and Hazlitt's critical views in general.
• Notable writers who have contributed to this journal include Jacob M . Appel, Harold Bloom, David Bromwich, Anne Carson, Robert Coles, William C . Dowling, Michael Wood.
• Only a few years later, in 1983, in his study of Hazlitt as critic, David Bromwich considers at length some issues involving " Characters of Shakespear's Plays ".
• Comparing Hazlitt's account with that of a famous contemporary, David Bromwich thought that nothing like this critical stance can " be found anywhere in the whole range of Coleridge's criticism ."
• This quest " for a passion beyond any center of self, " as David Bromwich noted in The New York Times Book Review, made her fiction unlike that of any other contemporary Western writer.
• Critic David Bromwich finds in what Hazlitt does portray of Coleridge the man metaphorically depicting the state of his mind as rich with allusions to earlier poets and " echoes " of Coleridge's own poetry:
• David Bromwich, a professor at Yale and the author of " Politics by Other Means : Higher Education and Group Thinking, " said he planned to send in his $ 25 annual dues and join.
• David Bromwich later warned against carrying too far the idea that Iago is an artist figure within the play, a representation of Shakespeare himself, as Iago's " genius is [ . . . ] the opposite of Shakespeare's.
• Biographer A . C . Grayling asserts that Hazlitt " was consistent in praising his'intensity of conception and expression'and his'wildness of invention, brilliant and elegant fancy, [ and ] caustic wit'. " David Bromwich emphasises the significance of Hazlitt's observation that Byron thought he stood " above his own reputation ",
• And David Bromwich notes the importance of Hazlitt's discussion of the relationship of a fictional world to the world it draws upon, including the extent to which a writer of fiction is said to create a world, in which Hazlitt here comes close to " a full-scale debate on the question ".
• To David Bromwich the most important of these is the third, " That the greatest strength of genius is shewn in describing the strongest passions : for the power of the imagination, in works of invention, must be in proportion to the force of the natural impressions, which are the subject of them ."
• Nearly two centuries after they were written, for example, biographer Stanley Jones deemed Hazlitt's " Table-Talk " and " The Plain Speaker " together to constitute " the major work of his life ", and critic David Bromwich called many of these essays " more observing, original, and keen-witted than any others in the language ".
• In early 2013, David Bromwich, a professor of polar meteorology at Ohio State University, and a team including Antarctic weather station experts from the University of Wisconsin, published a paper in " Nature Geoscience " showing that the warming in central West Antarctica was unambiguous and likely about twice the magnitude estimated by Steig et al.
• In another essay, David Bromwich, a professor of English at Yale University and the author of " Politics by Other Means, " disputes Ms . Hunt's emphasis on demographics, arguing that the politicization of scholarship began in the 1960s, as reaction to the Vietnam War galvanized the belief that " all choices are political choices, that every intellectual interest serves some social end ."